Review: ‘Cat on a Hot Tin Roof’ Knows Its Good Angles

The Ruth Stage’s production understands the violence and identity crisis at the core of Brick’s character, but other elements fail to cohere. By BY JUAN A. RAMÍREZ from NYT https://ift.tt/1pmsSa3
A publisher in the Philippines, she used her women’s magazine as a forum for political stories that helped drive Ferdinand Marcos from power...
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